Wednesday, January 9, 2019

Moving to Rochester in 2013

Nellie Eldridge Dossenbach
(Photo courtesy Lynn Charles)

My great-grandmother, Nellie Eldridge Dossenbach, takes credit for bringing me to Rochester.  As well she should.

It was five and a half years ago, on a hot summer day, in July of 2013.  I was 55 years old, the age when one is ready for a change, a new lease in life, as they say, a fresh start.   I had been teaching English at Assumption College in Worcester, Massachusetts, for nearly twenty years, and now I wanted to write something, something that others will want to read.  And then it hit me.  The Big Idea.  It hit me.  And I said out loud, “You dope!  You need to go to Rochester!”

It was an instant realization.  How right this was.  I would move to Rochester, New York, where I would research and eventually write a book about my relatives, the Dossenbachs, who had lived there, who had been locally famous, but whose names had fallen out of current memory.
I wanted to walk where they walked, see what they saw.

* * * * * * * * * * * * * * * * * * * * * * * * * * *     

Two weeks later, I was off, once more driving the 6-hour stretch of Massachusetts Turnpike and New York Thruway that I’d driven twice-yearly, for 35 years, to visit my parents (in Waterloo, New York, 45 minutes from Rochester), and that I’d thought was behind me, both parents having passed away.  But this time I sped past the Waterloo exit, which felt strange and exciting.

Approaching the city of Rochester, on 490, just passing the Goodman Street Exit, suddenly the skies grew dark, the rain poured heavily, and lightning flashed directly ahead.  It was magnificent and other-worldly.  

Everything felt Big.  And Significant.

And then, almost as soon as the storm began, it ended, and the late afternoon revealed itself as sunny and vibrant, with shiny roads and sidewalks and signs.

* * * * * * * * * * * * * * * * * * * * * * * * * * *     

The next day, and it was time to find an apartment.  I had five addresses to look at — three potential apartments and two historical addresses where my great-grandparents had once lived.

I looked at the first two apartments, wasn’t sure, they weren’t quite right.  But the third one, well, this one had sounded the best, but I couldn’t find it.  Annoyed.  I had the number wrong, or perhaps the street.  What to do?  

9 Rowley Street -- the photo I took on that
July 2013 day
Move on.  So I looked for the two historical addresses.  First was 28 Upton Park, the Theodore and Nellie Dossenbach homestead for the first two decades of the 20th century.  Theodore, Nellie’s husband, my great-grandfather, had founded the Rochester Park Band in 1904, but had died in 1924, at the prime of his career, leaving Nellie widowed. 

And then the second address — 9 Rowley Street, where Nellie Dossenbach had gone to live in the late 1930s and early 1940s, after she quarreled with her daughter, my grandmother, Adeline, and moved out of Adeline’s home.  9 Rowley Street was still there, an unaltered, pretty, bright yellow house, with a wide front porch on a tree-lined street.  

I gazed at these places.  Took photos.   Ooh’ed and aah’ed, imagined the Dossenbachs there, walking out the front door and up the sidewalk.  And then, not knowing what else to do, I went back to the hotel room to find the correct address on Craigslist for that third apartment.  

Pulling out the printed listing, looking closely to get it right, it said, 9 Rowley Street.

What?  It can’t be.  I peered more closely.  It couldn’t be.  That was Nellie’s house, the house I had just looked at.  I verified the printed City Directory from 1942, which showed that 9 Rowley Street was where Nellie had lived.  This couldn’t be!  

1942 Rochester City Directory
But it was.  I called the landlord.  And then I remember the next scene as if in slow motion — he and I walking up the driveway to see the back apartment, he talking about the private back porch and my two parking spots, me wide-eyed and mumbling something about this being my great-grandmother’s house.

Slow motion.  We stand on the back steps.  He inserts the key into the lock and opens the door which enters into the kitchen, with a view into the living room.  And it was exactly — exactly! — as how I’d already pictured my new place.  Golden hardwood floors, white walls with architectural details, windows with lace curtains.

9 Rowley Street -- The view from the back door,
(of course, after I'd moved in)

In a daze, I took the apartment.  And this is how I came to live where Nellie had once lived, over 70 years earlier.


Of course, Nellie takes credit for bringing me here.  As well she should.  She, who had more to fear than the others from how the story would be told.  

9 Rowley Street - Lace curtains in the living room

Wednesday, January 2, 2019

New Year’s Eves of Yesteryear

NOTE:  As you begin reading, click on this Youtube link and listen to Tchaikovsky’s “Andante Cantabile,” which will be referred to later in the piece.  https://www.youtube.com/watch?v=lDQuWlz37iw

On with the dance! 
let joy be unconfined; 
no sleep ‘till morn, 
when Youth and Pleasure meet
To chase the Glowing Hours 
with Flying feet.
                                              — Byron


In the late 19th century, and on into the early decades of the 20th, Hermann Dossenbach was a musician and conductor in Rochester, New York.  He is often credited with establishing the musical foundation in Rochester which led to the founding of the Eastman School of Music.  
Early 1890s
Hermann Dossenbach and young wife Daisy Chapman
(Photo Courtesy of Polly Smith)

Hermann is my great-granduncle.  

He was the third son of a musical family of poor German immigrants who had settled in Rochester in 1873.  His older brothers had had some success as violinists, and his father, Matthias, had great hopes that Hermann would continue the tradition.

But Hermann wasn’t terribly interested in the violin, and so when he was still a little boy, his father took him to hear the great conductor Theodore Thomas and his orchestra in Rochester’s old Fitzhugh Hall.  Hermann remembered:  “Then and there I knew what I wanted to do — I wanted to conduct a symphony orchestra.”  (D&C 2/5/1924)

         When he reached his 20s, and had become a very good violinist, he began to work towards his dream, and organized a dance orchestra, which played in Rochester and towns beyond.

In 1894, to celebrate “the departure of the old and the arrival of the new year,” the Dossenbach Orchestra, along with the Jung-Maennerchor, performed at Germania Hall in Rochester on New Year’s Eve, which was still referred to at that time as “Sylvester Eve” by the Germans and German-Americans.  At the stroke of midnight, the bells rang, and then the orchestra “struck up a grand march” and several hundred people danced into the wee hours of the morning.  (D&C 1/1/1894)
This was possibly the Palmyra Masonic Hall

And then three years later, on December 30 of 1898, the “celebrated” Dossenbach Orchestra performed at the Ninth Annual Ball and Reception of the Zenobia Commandery, Knights Templar, in the Masonic Hall in Palmyra.  Picture the scene.  It was a splendid evening and the hall was “a perfect bower of beauty,” having been decorated by Rochester’s Bickford Decorating Company.  

At 9:00pm, “The sir knights in full regalia” performed their templar drill, and then the orchestra played a “perfectly irresistible deux temps” and “the ball room floor was filled by a swaying, joyous assemblage, all mindful of the dictates of the goddess Terpsichore.  From that hour, in the language of Byron, ’twas ‘On with the dance, let joy be unconfined; no sleep ‘till morn, when Youth and Pleasure meet.’”  
Food was served at midnight; then dancing was resumed until nearly 4:00am, at which time the “orchestra wafted over the scene the strains of the old but ever popular ‘Home Sweet Home,’ and the guests realized that the ninth annual ball of the Zenobia Commandery was a treasure of their pleasant recollections.”  (D&C 12/31/1898)

Such were the beginnings of Hermann’s orchestral dream.

Jump ahead a few years and we can see the fruits of his labors.  In 1905, Hermann’s Dossenbach Quartette performed earlier in the evening of New Year’s Eve, in the grand living room of Mister George Eastman, the Kodak King of Rochester, at his brand new mansion on East Avenue.  They played Tchaikovsky’s “Andante Cantabile” (link above) and Schubert’s “Theme-Variations.”


Hermann and his musicians continued to entertain for Mr. Eastman for the next fourteen years, and Hermann’s orchestra flourished and was loved by the the good citizens of Rochester, New York, throughout the first four decades of the 20th century.